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Samarkand and Bukhara: Walking Through the Silk Road

Registan Square in Samarkand, Uzbekistan along the ancient Silk Road

I have always been an ancient history geek.

Mountains are probably the most obvious thread through my travels, but give me a ruined city, an old trade route, a forgotten empire, or some absurdly beautiful building that has somehow survived eight hundred years and I can disappear for hours. I like trying to understand how people lived before us, what they valued, what they built, and which parts of human nature seem to survive no matter how much the world changes around them.

That was a big reason Central Asia had been sitting high on my list.

The entire region is basically a historical collision point. For centuries, the routes we now group together as the Silk Road connected China and the East with Persia, India, the Middle East, and Europe. It was never simply silk moving west. Ideas moved. Religions moved. Architecture, languages, science, food, technology, armies, and entire cultures moved with them.

Then another layer arrived much later through Russia and the Soviet Union. Spend enough time in Central Asia and you start seeing all of those influences stacked together rather than neatly separated into different chapters of a history book.

Our trip took us through Kazakhstan, Kyrgyzstan, and Uzbekistan. Kazakhstan was quick. Kyrgyzstan was much more about being outside for us. We spent time in Bishkek, trekked Ala-Köl, made our way to Song-Köl, and got our fill of mountains, horses, long roads, and enormous empty landscapes.

Then we flew into Uzbekistan.

We passed through Tashkent, but if I am being honest, I had two names in my head before we even got there.

Samarkand and Bukhara.

For someone interested in ancient civilizations, they are difficult names not to romanticize.

Samarkand

Samarkand has existed for more than two thousand years, but what makes it fascinating is not simply that it is old. Plenty of places are old. Samarkand became important because of where it sat in the world. Traders, scholars, conquerors, and travelers kept passing through it, and under Timur and the Timurids it became one of the major intellectual and cultural centers of Central Asia.

The city still looks like it remembers that.

A person standing on the paved plaza in front of the ribbed turquoise dome and brick arcade of the Bibi-Khanym complex in Samarkand
Bibi-Khanym, Samarkand, August 2026

The place that floored me most was Shah-i-Zinda.

I knew it would be beautiful. Photos make that fairly obvious. What I was not prepared for was how much detail there is once you are actually standing inside it.

You enter this relatively narrow passage surrounded by mausoleums covered in blue and turquoise tile. Not blue in the vague sense of “there are some blue buildings.” Almost every surface seems to contain another pattern. Geometry inside geometry, calligraphy, tiny ceramic details, deep cobalt, lighter turquoise, white, and pieces created across different centuries somehow sitting beside each other without the whole thing becoming chaotic.

A narrow arched passage lined with orange, blue and turquoise tile leading toward blue-tiled mausoleums at Shah-i-Zinda in Samarkand
One of the passages at Shah-i-Zinda, August 2026

It is technically a necropolis, but that word does not really capture what it feels like.

I remember looking around and thinking about the amount of human effort that had gone into creating beauty for people who were dead.

That sounds slightly morbid, but I mean it in the opposite way.

Hundreds of years ago, people were still doing something we instinctively understand today. When something mattered, function was not enough. They decorated it. They obsessed over details. They built upward. They used color and symmetry and craftsmanship to say: this matters to us.

Time separates us, but apparently our instinct to make important things beautiful is pretty stubborn.

Blue and turquoise tiled facade of a mausoleum at Shah-i-Zinda with a pointed arched doorway and a bench below
Tilework on a mausoleum at Shah-i-Zinda, August 2026

A few minutes away from that is Registan Square, which might be one of the most spectacular public spaces I have ever walked into.

A madrasa on Registan Square in Samarkand in late afternoon light, with a tall arched entrance, a minaret and a green dome behind
Registan in the late afternoon, August 2026

The best comparison I could come up with is that it is what might happen if Harvard and Times Square somehow had a medieval baby.

Registan was a place of education, commerce, gathering, and public life. Huge madrasas surround the square, but what interested me almost as much as the architecture was what the place represented. People came here to study. Information was shared here. Announcements were made. People traded and met one another.

It was essentially an ancient version of something we keep trying to recreate.

We still build university quads. We still create town squares. We still design places around the idea that learning, commerce, information, and people should sometimes collide in the same physical space.

Our tools have become unrecognizable.

The instinct really has not.

We went back to Registan at night for the light show, and I was glad we did. Normally, I can be a little skeptical when somewhere genuinely historic gets turned into a production, but it worked. The architecture is so large and detailed that watching it transform after dark made us appreciate it differently.

Registan Square at night lit in green and amber, with crowds sitting on the pavement in front of the madrasas
Registan during the night light show, August 2026

And once the sightseeing was finished, we usually ended up back at Munis Shashlik.

We found it relatively early and proceeded to eat there an almost embarrassing number of times. It was cheap, local, uncomplicated, and really good. Skewers of meat off the grill, bread, simple sides, and a room full of people who actually seemed to live there rather than a restaurant built specifically for tourists.

A round loaf of bread and skewers of grilled meat on a table at Munis Shashlik in Samarkand with a woman seated behind it
Dinner at Munis Shashlik, August 2026

The people working there were incredibly friendly, and after returning again and again it started to become our place in Samarkand.

Those are often the travel memories that stay with me.

You can visit one of the most historically significant cities in the world, stand inside architecture people crossed continents to see, and then one of your favorite parts ends up being the little shashlik place where you ate dinner three nights in a row.

Samarkand was good at that balance. It had the history I had come for, but it still felt like a living city.

The markets added another layer. I am also fascinated by Soviet history, so I kept stopping at stalls selling old pins, coins, uniforms, maps, medals, and little relics from that era. They were mixed casually among everything else, which somehow made them more interesting. In the morning you could be staring at Timurid tilework from centuries ago, then later dig through objects from the Soviet Union, a country that disappeared only a few decades ago.

Stalls of dried fruit, nuts and sweets in a covered market in Samarkand with a woman in a brown shirt at the edge of the frame
A market in Samarkand, August 2026

Central Asia compresses history like that.

Bukhara

Bukhara hit differently.

Samarkand announces itself. Bukhara slowly gets under your skin.

The colors are softer. More sandstone, brick, dust, and earth. The streets feel tighter. Old courtyards hide behind walls. Trading domes, mosques, madrasas, houses, and minarets seem to bleed into one another.

Brick trading domes above a row of carpets hanging outside a shop in Bukhara in golden light
Trading domes in Bukhara, August 2026

In Samarkand, I often felt like I was walking through a modern city to reach extraordinary historic sites.

In Bukhara, I felt like I was walking through the historic site.

That distinction made Bukhara fascinating to wander without much of a plan.

This was once one of the great trading and intellectual cities of Central Asia. Merchants moving along the Silk Road passed through here, but so did scholars, theologians, craftsmen, travelers, and all the ordinary people necessary to make a city function.

You can still feel the old trading-city logic in the streets.

A red Soviet pennant with gold fringe and a woven textile with a portrait of Lenin hanging at a stall in Bukhara
Soviet relics at a stall in Bukhara, August 2026

The building I kept coming back to was the Kalon Minaret.

It rises above the old city and dates to the 12th century. There is a famous story that when Genghis Khan conquered Bukhara, he looked up at it, his headwear fell to the ground, and when he bent to retrieve it he remarked that the tower had made him bow. According to the legend, he ordered it spared.

Maybe the story grew in the telling. History tends to do that.

But the tower really did survive.

The Kalon Minaret in Bukhara rising into a deep blue sky beside a long brick wall, with a person in a yellow shirt at its base
The Kalon Minaret, August 2026

And standing underneath something that has been there for nearly nine hundred years does funny things to your understanding of time.

How many people have looked up at that exact tower?

Merchants arriving exhausted after weeks of travel. Children who grew up in its shadow. Soldiers entering the city. Students. Pilgrims. Families. People who thought the political order of their time would last forever. People whose entire universe existed in streets you are now casually wandering with Google Maps in your pocket.

That is probably the thing I enjoy most about ancient history.

It turns abstractions back into people.

History books naturally focus on emperors, wars, dynasties, invasions, and dates because those are easy things to organize into chapters. But most people living through history were doing roughly what we are doing.

Working. Eating. Falling in love. Raising families. Complaining. Learning. Trying to make money. Trying to belong. Wondering what comes next.

Bukhara made that strangely easy to picture.

There were moments when I could mentally remove the electrical wires, cars, and phones and imagine the same narrow streets full of merchants and travelers. Goods changing hands beneath the trading domes. News arriving with someone who had been somewhere nobody else in the city had seen. Students walking into a madrasa. Someone sitting down for a meal after a very long day.

A long brick vaulted arcade of shops hung with textiles and souvenirs in Bukhara, with a cyclist far down the passage
Inside one of Bukhara's covered bazaars, August 2026

The world around them was completely different.

The people probably were not.

The Kalon Minaret and the rooftops and domes of Bukhara at sunset seen from above
The Kalon Minaret from above at sunset, August 2026

Samarkand or Bukhara?

People inevitably ask which city I preferred, and I am not sure I can give a clean answer.

Samarkand is more immediately impressive. The architecture is larger, the blues are almost ridiculous, Registan is spectacular, Shah-i-Zinda is unlike anywhere I had been, the city has more energy, and we definitely ate better there.

Bukhara was more immersive.

I found myself thinking about history more there because you could feel the old city around you rather than only encountering it through individual monuments. Walking without a destination was probably my favorite thing to do.

If Samarkand made me stare upward, Bukhara made me look around.

You need both.

Why Uzbekistan Stayed With Me

Uzbekistan ended up giving me exactly what I had hoped Central Asia would give me, but not quite in the way I expected.

I came looking for the Silk Road and ancient civilizations. I found all of that. But what stayed with me was how little some of the important things seem to change.

People have always gathered in central spaces. We have always wanted places dedicated to learning. We have always traded with strangers and brought pieces of other cultures home with us. We have always decorated the places we consider sacred. We have always built things partly because we needed them and partly because we wanted future generations to know we had been there.

Even the Silk Road itself feels more interesting when you stop thinking about it as a line on an old map.

It was millions of human interactions.

Someone from one world meeting someone from another. Trading something. Learning something. Borrowing an idea. Mispronouncing a word. Eating unfamiliar food. Bringing a story home.

Basically, travel.

Only with significantly worse transportation.

That might be why places like Samarkand and Bukhara fascinate me so much. They are reminders that travel is not only useful because it shows us how different people can be.

Sometimes the better part is discovering how familiar they have always been.

About the author

Connor Michalek writes about building a company, becoming more capable and exploring the world. He is the founder of Gevity in Austin. More about Connor

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